{"id":1543,"date":"2020-04-17T15:28:26","date_gmt":"2020-04-17T15:28:26","guid":{"rendered":"https:\/\/sergiobloch.com\/?page_id=1543"},"modified":"2026-04-14T16:34:23","modified_gmt":"2026-04-14T16:34:23","slug":"sergio-bloch","status":"publish","type":"page","link":"https:\/\/sergiobloch.com\/en\/","title":{"rendered":"Sergio Bloch"},"content":{"rendered":"

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<\/span> WHO I AM<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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I began my career in theatre before moving into audiovisual work. I spent many years working as a cinematographer and producer before focusing on directing. Along this path, I have developed projects of varying formats and scales \u2014 from feature-length documentaries and fiction films to television series. I have directed and produced dozens of episodes, both in author-driven projects and in collaboration with networks such as TV Globo, Canal Futura, Discovery Channel, Turner, Canal Curta!, and Red Bull TV, as well as independent production companies including Conspira\u00e7\u00e3o Filmes, Ocean Films, and TV Zero.<\/p>\n

This experience has given me familiarity with a range of production environments \u2014 from large-scale sets with more than 80 crew members to small, streamlined teams. I am equally comfortable directing actors and non-actors, with a focus on clarity and precision in performance.<\/p>\n

With additional experience in editing and post-production, I have developed a strong awareness of the process as a whole. It is at this stage that decisions take shape and the material finds its balance \u2014 whether to engage, challenge, or invite reflection.<\/p>\n<\/div><\/div><\/div>

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\"S\u00e9rgio<\/div><\/div>
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<\/span> WHO I AM<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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I began my career in theatre before moving into audiovisual work. I spent many years working as a cinematographer and producer before focusing on directing. Along this path, I have developed projects of varying formats and scales \u2014 from feature-length documentaries and fiction films to television series. I have directed and produced dozens of episodes, both in author-driven projects and in collaboration with networks such as TV Globo, Canal Futura, Discovery Channel, Turner, Canal Curta!, and Red Bull TV, as well as independent production companies including Conspira\u00e7\u00e3o Filmes, Ocean Films, and TV Zero.<\/p>\n

This experience has given me familiarity with a range of production environments \u2014 from large-scale sets with more than 80 crew members to small, streamlined teams. I am equally comfortable directing actors and non-actors, with a focus on clarity and precision in performance.<\/p>\n

With additional experience in editing and post-production, I have developed a strong awareness of the process as a whole. It is at this stage that decisions take shape and the material finds its balance \u2014 whether to engage, challenge, or invite reflection.<\/p>\n<\/div><\/div><\/div>

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<\/span> PRODUCTIONS<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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<\/i><\/i><\/span>Crossed Moments \u2013 Season 2 (2025) \u2013 TV Series, 8 x 26 min<\/span><\/a><\/h4><\/div>
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In each episode, host Milton Guran invites a contemporary photographer to recreate an emblematic image from the history of Brazilian photography. The process reveals forgotten stories, settings, and characters. Past and present intersect in a new photograph created especially for the program.<\/h6>\n
Production: Ocean Films
\nExhibition: Canal Curta<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>My House, Our World (2024) - TV Serie, 13 x 13 min<\/span><\/a><\/h4><\/div>
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Thirteen children live unique experiences in their lives when they set out to get to know each other’s homes, habits, activities and culture. From an indigenous village to Lagoa de Abaet\u00e9, from the beaches of the Northeast to the hinterland, from a village in Esp\u00edrito Santo to a farm in the mountainous region of Rio de Janeiro, or from a circus in S\u00e3o Paulo to a farm in the interior of Bahia, the series \u201cMy Home, Our World\u201d visits special places, revealing the lives of their little inhabitants and expanding the world of those making their first big trip.<\/h6>\n
Production: Abbas Filmes
\nExhibition: TV Brasil<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Phenomenon (2018) - Feature Film, 115 min<\/span><\/a><\/h4><\/div>
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Three times Best Player of the Year, winner of the Golden Ball, as well as leader and top scorer of two World Cups. Phenomenon is his new name, but behind the fame there is man. Before fortune, a life of hardship. But determination and talent meant that the poor boy’s fate did not come true, and Ronaldo became a legend.<\/h6>\n
Production: Animals&Objects
\nExhibition: Vaunt Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Live to Tell (2012), Ep. Air Impact - TV series, 44 min<\/span><\/a><\/h4><\/div>
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The series rescues stories of people who went through tragic situations, but survived to give their testimony. In this episode \u2013 Air Impact \u2013 a plane crashes in the middle of Mexico City at rush hour, killing dozens. Two men survive, but with more than 70% of their bodies burned.<\/h6>\n
Production: Conspiracy Films
\nExhibit: Discovery Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>On Wheeles Latin America (2014) - TV Serie, 13 X 26 min<\/span><\/a><\/h4><\/div>
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By pulling, pushing or pedaling, they make their living on the streets of cities on the South American continent. The series establishes a relationship between the movement of the wheel and the inconstancy of life itself, particularly those who are led to use their ability to improvise on a daily basis to ensure their survival.<\/h6>\n
Production: Abbas Filmes, Ocean Films and Turner
\nExhibition: Canal Futura, TV Brasil, CineBrasil TV and Turner Channels<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Live to Tell (2012), Ep. Collapse in Cinel\u00e2ndia - TV series, 44 min<\/span><\/a><\/h4><\/div>
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The series rescues stories of people who went through tragic situations, but survived to give their testimony. In this episode \u2013 Collapse in Cinel\u00e2ndia \u2013 the fall of a building in Rio de Janeiro causes a construction worker to be trapped inside the elevator for six hours, until he is rescued by firefighters.<\/h6>\n
Production: Conspiracy Films
\nExhibit: Discovery Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Crossed Moments (2017) - TV series, 8 X 26 min<\/span><\/a><\/h4><\/div>
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In each episode, anthropologist Milton Guran invites a photographer to recreate an image that has marked the history of Brazilian photography. \u201cInstantes Cruzados recreates part of the country’s history, while discussing photography and the inspirations that contributed to the creation of each one’s language\u201d, says the presenter.<\/h6>\n
Production: Ocean Films
\nExhibition: Short Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Taste Budies - Season 2 (2024) - TV series, 13 x 13 min<\/span><\/a><\/h4><\/div>
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Taste Budies portrays street vendors who prepare and sell typical food on the streets of their cities. This season we are going to get to know the good popular gastronomy of Bel\u00e9m, Salvador, Aracaju, Macei\u00f3, Recife, Natal, Rio and S\u00e3o Paulo.<\/h6>\n
Production: Abbas Filmes
\nExhibition: CineBrasil TV<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Tain\u00e1, an Adventure in the Amazon (2001) - Feature film, 125 min<\/span><\/a><\/h4><\/div>
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Tain\u00e1 lives in the Amazon Forest with his wise grandfather Tig\u00ea. When rescuing Cat\u00fa, a monkey captured by Shoba, an animal trafficker, she is chased and arrested, until she meets Joninho, a boy who comes from S\u00e3o Paulo. Together, the two will have to learn to live together, and then fight together to preserve the wild animals.<\/h6>\n
Realization: Tiet\u00ea Productions
\nExhibition: Movie Theater<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Just 2 Boys (2007) - Short film, 12 min<\/span><\/a><\/h4><\/div>
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Two women, two realities: Rosa is the boss, Arlete the maid. Despite living two realities, they share the same drama: the loss of control over their children’s lives, young people who begin to chart their own destinies without being aware of the risks they run.<\/h6>\n
Production: Abbas Filmes<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Live to Tell (2011), Ep. Buried - TV series, 44 min<\/span><\/a><\/h4><\/div>
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The series rescues stories of people who went through tragic situations, but survived to give their testimony. In this episode \u2013 Divers in Bahia \u2013 three friends are shipwrecked in a storm, and spend more than 26 hours floating adrift on the high seas.<\/h6>\n
Production: Conspiracy Films
\nExhibit: Discovery Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Another Future (2005) - Documentary and show, 70 min<\/span><\/a><\/h4><\/div>
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In 2005, the Year of Brazil in France, singer-songwriter Leoni invited a group of Ashaninka Indians to participate in a concert in Paris. This trip was documented, and the show’s DVD was released the following year.<\/h6>\n
Co-director – Roberto Berliner
\nProduction – TV Zero<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Taste Budies (2016) - TV series, 8 X 26 min<\/span><\/a><\/h4><\/div>
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Series on popular Brazilian gastronomy in which we follow the journey of itinerant chefs, who prepare and sell typical foods in the streets of their cities, approaching the relationship between food and regional history and culture.<\/h6>\n
Production: Abbas Filmes
\nExhibition: TV Brasil and CineBrasil TV<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Live to Tell (2011), Ep. Drivers in Bahia - TV series, 44 min<\/span><\/a><\/h4><\/div>
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The series rescues stories of people who went through tragic situations, but survived to give their testimony. In this episode \u2013 Divers in Bahia \u2013 three friends are shipwrecked in a storm, and spend more than 26 hours floating adrift on the high seas.<\/h6>\n
Production: Conspiracy Films
\nExhibit: Discovery Channel<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>UNA-SUS (2017) - video series, 6 X 8 min<\/span><\/a><\/h4><\/div>
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Produced within the scope of the Comprehensive Health Care Course for rural, forest and water populations, this series was conceived to respond to the need for permanent training of health professionals working in the SUS, giving visibility to the different realities and forms of work on disease prevention, health promotion and improvement in the quality of life of these populations.<\/h6>\n
Production \u2013 UNASUS\/Fiocruz Mato Grosso do Sul and Video Sa\u00fade Distribuidora
\nExhibition: Channel UNA-SUS (Open University of SUS), platform created by the Ministry of Health in 2010<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>Mini Cine Tupy (2002) - short film, 10 min<\/span><\/a><\/h4><\/div>
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Jos\u00e9 Zagati, a cardboard collector in Sitio das Madres, on the outskirts of S\u00e3o Paulo, set up a small movie theater in his garage. Built entirely from materials found in the trash \u2013 including 16mm projectors! – Zagati shows a multitude of films for the children in the neighborhood. The session is on Sundays, and starts as soon as it gets dark, but only if it doesn’t rain: the projector is left unprotected on the sidewalk so that it has enough distance from the screen. And, of course, admission is free!<\/h6>\n<\/div><\/div><\/div><\/div><\/div>
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<\/span> AWARDS<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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\"Pr\u00eamios<\/span><\/div>
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<\/span> CLIENTS & PARTNERS<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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\"customer<\/span><\/div>
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<\/span> AWARDS<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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\"Premios_SB2023-1mob\"<\/span><\/div>
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<\/span> CLIENTS & PARTNERS<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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\"logos-cliente-1xz\"<\/span><\/div>
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<\/span> MAKING OF<\/span><\/path><\/svg><\/span> <\/span><\/h4><\/div>
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\"VNA-Mo-2xx\"<\/div><\/a><\/div><\/div>
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\"VNA-Mo-3xx\"<\/div><\/a><\/div><\/div>
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\"MkOf-MCTxx\"<\/div><\/a><\/div><\/div>
\"MK-of-general-2xx\"<\/div><\/a><\/div><\/div>
\"VNA-Mo-1xx\"<\/div><\/a><\/div><\/div><\/div><\/div>
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